Ahead of the opening statements in the trial of Sean ‘Diddy’ Combs, music executive Ty Stiklorius shared her personal experiences within the music industry. The trial, scheduled for May 12, has sparked discussions about systemic abuse and exploitation in the music business.

Jury selection for Combs’ sex trafficking trial began recently, with almost 100 potential jurors questioned about their biases related to abuse and their perceptions of the defendant. Combs faces charges of sex trafficking, prostitution, and racketeering conspiracy, to which he has pleaded not guilty. Stiklorius, CEO of Friends at Work management firm, highlighted the prevalent challenges women face in a toxic industry culture.
Stiklorius emphasized that the issue of exploitation in the music industry extends beyond individual cases like Combs’. She believes the industry has long enabled certain men to operate with impunity, reflecting a broader problem of power dynamics within the business. Her op-ed in the New York Times shed light on the pervasive nature of such misconduct.
Stiklorius recounted a distressing incident from her early career at a party hosted by Combs, where she was subjected to a situation that exemplified the industry’s culture of manipulation and abuse. She stressed that her experience was not isolated and that many women in the industry have faced similar challenges.

The prevalence of non-disclosure agreements (NDAs) in the music industry has contributed to a culture of silence and survival, according to Stiklorius. She highlighted how NDAs have been used to suppress the voices of individuals who have experienced abuse, often at the cost of their careers and personal integrity.
In her conversation with NPR, Stiklorius discussed how the industry’s power dynamics have perpetuated a culture of exploitation, where women are often expected to trade personal agency for career opportunities. She emphasized the need for systemic change to address the longstanding issues that have plagued the music business.

Stiklorius’s revelations have resonated with many women in the industry who have faced similar challenges but felt unable to speak out due to fear of repercussions. The lack of accountability for abusive behavior in the music industry remains a significant concern, with few consequences for perpetrators.
The ongoing trial of Sean Combs serves as a stark reminder of the systemic issues within the music industry that have long been overlooked. Stiklorius’s advocacy for change and transparency reflects a growing movement to address the toxic culture that has persisted for decades.
As the music industry grapples with its history of exploitation and abuse, voices like Stiklorius’s are crucial in driving meaningful reform and ensuring a safer, more equitable environment for all professionals in the field.